Arka sokaklar 328
As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition's historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies?lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. (International Library of the Moving Image) In particular, chapters focus on time and space, melancholy and loneliness, absence, rural and urban experience, and notions of paradox, as explored through films which are often slow and uncompromising in their pessimistic outlook. This book offers an overdue study of Ceylan's work and a critical examination of the principle themes therein. In an age where Turkey's modernization has created societal tensions and departures from past tradition, Ceylan's films present a cinema of dislocation and a vision of "nostalgia" understood as homesickness: sick of being away from home sick of being at home. Reaping success from his prize-winning, breakout film Uzak (2002), and from later festival favourites Once Upon a Time in Anatolia (2011) and Winter Sleep (2014), he has quickly established himself as an original and provocative writer, director, and producer of 21st century cinema. The Global Vision of a Turkish Filmmaker:įilm maker Nuri Bilge Ceylan's meditative, visually stunning contributions to the "New Turkish Cinema" have marked him out as a pioneer of his medium. in Turkish (İngilizce orijinalinden çeviren: Ahmet Nüvit Bingöl).
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Buna rağmen film ve medya araştırmacılarının Ceylan'ın filmlerinin kendine has üslubunu, havasını ve temalarını keşfetme girişimleri sınırlı kaldı, Ceylan sinemasının temaları henüz kapsamlı bir sosyolojik ve eleştirel düşüncenin konusu olmadı.
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Nuri Bilge Ceylan, sinemaseverler kadar eleştirmenlerin de övgüsünü alan filmleriyle uluslararası başarı kazandı ve yirmi birinci yüzyılın en özgün ve provokatif sinemacılarından biri olarak kendini kabul ettirdi. Türkiyeli Bir Sinemacının Küresel Hayal Gücü: